2/2018SPECIAL ISSUEon Disability Studies, Arts, and Education I-II Senior editor’s commentary / Mira Kallio-Tavin III-X Introduction / Alice Wexler Articles 1-24 The Wind Is the Power: Social Empowerment for Disabled Performers Through Development and Performance of Personalised New Musical Interfaces / Andy Best-Dunkley 25-40 Representation, Re-presentation, and Representin’ through Graphic Novels / Kelly Gross 41-56 Touch the Art: Accessible Learning Opportunities for the Blind and Visually Impaired / Jeremy Johnson 57-73 Creating Circumstances for an Institutional Pedagogy: Notes on Tracings Out of Thin / Alexander Ivanov and Joana Monbaron 74-87 DisAbility on Stage – Exploring the Physical in Dance and Performer Training / Yvonne Schmidt, Sarah Marinucci, Sara Bocchini, Demis Quadri, Anton Rey 88-102 “Do You Come to School for One Student Only?”: Reception and Resistances to the Implementation of Parallel Support of Disabled Students in Greece / Soula Marinoudi 103-125 Artistic Knowledge Production and Neurodiversity: Visual Thinking between Nazi Heritage, Ableism Debates and University Reforms / Nina Stuhldreher
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